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The Photography Handbook (Media Practice), by Terence Wright
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The Photography Handbook provides an introduction to the principles of photographic practice and theory and offers guidelines for the systematic study of photographic media. It explores the history of lens-based picture making and examines the mediums' characteristics, scope and limitations.
Equipping the reader with a vocabulary for photographic phenomena and helping develop visual awareness and visual literacy, The Photography Handbook will enable students to familiarize themselves with current theoretical viewpoints and to evolve critical frameworks for their own photographic practice.
The Photography Handbook includes:
* an analysis of photographic theory
* an introduction to conceptual skills necessary for photography
* the historical background and rationale for photographic representation
* the camera as a documentary tool
* interviews with editors, photographers, picture editors and readers
* the effect of new technologies on photographic practice and an exploration of the shift from analogue to digital imagery
* over seventy images.
- Sales Rank: #4349383 in Books
- Published on: 1999-05-16
- Original language: English
- Number of items: 1
- Dimensions: .52" h x 6.15" w x 9.18" l, 1.00 pounds
- Binding: Paperback
- 208 pages
Review
'An ideal companion for students of photography, familiarizing them with current theoretical viewpoints and providing a framework for their own practice.' - The Art Book Review Quarterly 'A clear structure of concepts and debates.' - Mark Young, Richmond-upon-Thames College 'Well organised, with a good division of material and well written.' - Barry Lowe, City University of Hong Kong
About the Author
Terence Wright spent ten years as a photographer. He taught at the National Film and Television School, was Reader in Media Arts at the University of Luton and is presently Visiting Research Fellow at Queen Elizabeth House and Associate Fellow of the Reuter Programme at the University of Oxford.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Sound theoretical & critical background of photography
By Azlan Adnan
Over the last 160 years, photography has been used to record all aspects of human life and activity. Over this period the medium has expanded its capabilities in the recording of time and space, allowing us to capture the fleeting moment and to visualize both the vast and the microscopic. It has brought us images from remote areas of the world, distant parts of the solar system, as well as the social complexities and crises of modern life. Indeed, the photographic medium has provided one of the most influential means of depicting the human predicament. In bringing about the media culture that characterizes modern life, photography has also brought the harsh realities of the world onto the coffee-table in our cozy homes.
Photography has provided a system of visual presentation that has both generated and promoted the social, political, economic, scientific and artistic developments of the past century and a half. The persuasive use of photography in advertising has evolved to perpetuate the consumer society of the post-industrial era. The true value of photography's representational powers lies as much in the image's historical and cultural contexts as in any inherent properties of the photographic medium itself. Thus, looking at a photograph and obtaining information from it is not as straightforward as we might have first thought.
This handbook is not an introductory photographic textbook and does not cover specific details of photographic techniques or technical theory such as darkroom practice and how to use a camera. Instead, it introduces the principles of photography enabling the reader not only to gain a sound theoretical background, but also to develop a critical approach to the field of photographic practice.
Chapter 1 examines the historical context and visual tradition that gave rise to the photographic phenomenon, elucidating both the historical background and the rationale for photographic representation, establishing a theoretical framework. Chapter 2 considers the pre-production factors in approaching the photographic shoot, discussing conceptual photographic skills in terms of Realist, Formalist and Expressionist Aesthetics. Chapter 3 examines the character and nature of the photographic image, while Chapter 4 explores the scope and limitations of the post-production process. Chapter 5 looks at the use of the camera as a documentary tool while Chapter 6 views photography as a medium of expression. Chapter 7 describes the current impact of new technologies on photographic practice whilst the final chapter is devoted to the digitalization of the photographic image and its future significance for photography.
In providing guidelines for the systematic study of photographic media, this handbook would be of interest to practitioners, theorists, students and scholars of photography, media studies, communications and the visual arts.
A former professional photographer, Terence Wright is currently Associate Fellow of the Reuter Programme at Oxford University. He has previously taught at the National Film and Television School and the School of Media Arts, University of Luton.
Reviewed by Azlan Adnan. Formerly Business Development Manager with KPMG, Azlan is currently Managing Partner of Azlan & Koh Knowledge and Professional Management Group, an education and management consulting practice based in Kota Kinabalu, Sabah, Malaysian Borneo. He holds a Master's degree in International Business and Management from the University of Westminster in London.
0 of 4 people found the following review helpful.
Three Stars
By TL
It is OK
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